![]() This is great if you want to make a small adjustment but you may find you hit the end of the pot’s physical travel before before the virtual control on screen. The pan and send controls don’t have pot pick-up, they move immediately from whatever position they are in. You will need to do this when you first load a session, when you bank tracks (9-16, 17-24 etc.), or when you change from pan to send a, send b etc. To correct for this you may need to turn the control from one end to the other in order to reset the range. In order to make these work we ‘emulate’ the operation of the encoders in firmware. The Launch Control XL has pots rather than encoders which have an absolute position. HUI is designed to work with encoders for pan and send controls. The controls still work relatively to turn pans left and right. *Due to the Pro Tools HUI implementation, the centre detent of the LaunchControl XL pan pots will not directly correspond to the centre position of Pro Tool’s pan pots. Fixed crash: Sending Sysex Messages with values out of LaunchControl XL´s parameter range to the device Added additional MIDI port "LaunchControl XL HUI" Release notes for Firmware Updater 1.2 (firmware revision 59) It feels like a bit of a missed opportunity that the Send knobs can't be used to control device parameters like the Pan knobs can, but that's certainly not enough of an issue to prevent us giving it our wholehearted recommendation.- Added full class compliance (LaunchControl XL now supports use with MIDI-hosts like Kenton "MIDI USB Host" or iConnectivity "iConnect MIDI") ![]() The sturdy design makes it ideal for live performance, but it's quite at home as a mixing tool in the studio too. The Launch Control XL is a very well thought-out controller that packs a lot into its relatively tiny surface area. There are also two Send Select buttons for selecting which sends in Live the Send A and Send B knobs control. So, once you've got the hang of how the modifiers work, you can select any device on any track and tweak its parameters without touching your mouse or keyboard. When held, the Device button also turns the Track Select buttons into Device Select buttons, which cycle through the instruments and effects on the currently selected track. This setup would be much better if the Send A and Send B knobs could also be used for device control, but as it stands, the only way to get access to all of the controls is to create a user template - see Template of Dreams. In the case of EQ Eight, for example, the first bank sees the knobs controlling each band's on/off state, the second band frequency, the third band Gain, and so on. The Device modifier button switches the Pan knobs into Device mode, under which they control eight of the currently selected plugin's parameters.įurther parameters can then be accessed by holding down the Device button, which turns the Track Control pads into Device Bank selectors, each with its own Pan/Device knob assignments. The Track Select buttons jump the whole controller between banks of eight channels in Live: 1-8, 9-16, 17-24 and so on. Pressing Track Focus on a channel selects that channel's strip in Live, as if you'd clicked on it, while Track Control has three modes of operation, selected using the buttons on the right-hand side of the unit: Mute, Solo and Record Arm - it's all very straightforward.
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